Gay guerrilla9/19/2023 There are 99 names of Allah, and there are 52 niggers.”Įastman went on to explain that the three pieces were written using a concept he called “organic form,” related to the additive process of minimalist music, which was still fairly new: “That is to say, the third part of any part has to contain all of the information of the first two parts, and then go on from there… They’re not exactly perfect yet. In response to a protest by the campus African-American student organization, the titles were left off the program, and in a pre-concert talk Eastman explained, in his eloquent deep bass, that he used the offensive word to honor the African-American’s role in American history: “What I mean by niggers is, that thing which is fundamental that person or thing that attains to a basicness or a fundamentalness, and eschews that which is superficial, or, could we say, elegant. Using Northwestern student pianists, Eastman premiered three works for four pianos, with incendiary titles: Crazy Nigger, Evil Nigger, and Gay Guerilla. He had been invited by faculty composer Peter Gena, who, like Eastman, had been a member of the Creative Associates at SUNY Buffalo (a performance group run by composers Lukas Foss and Morton Feldman). On January 16, 1980, renegade composer/singer/pianist Julius Eastman gave a concert of his works at Northwestern University, in Evanston, Illinois. Michael Lorenz, Quinn Collins, John Pettit, Marc Jaffee, Ben Rosen, Travis Woodson, Joshua Hey, Brian McBrearty, James Merle Thomas, Alban Bailly, David Middleton, Dylan Reis, George Korein, Matt Hollenberg, and Alex Lewis *version for 14 electric guitars by Dustin Hurt Joseph Kubera, Dynasty Battles, Michelle Cann, Adam Tendler - pianos Program: Julius Eastman: SPOKEN INTRO (1980)Īrchival recording of Eastman's explanation of the use of "Nigger" in the title of his compositions. This concert features two of the works performed as a piano quartet and Gay Guerrilla performed by a large ensemble of electric guitars. Eastman perfected his multifarious minimalism in three works of the late seventies: Crazy Nigger, Evil Nigger, and Gay Guerrilla. Each work is scored for multiple instruments of the same kind.
0 Comments
Cannot update sonos software9/19/2023 Check and disable activated VPN or Proxy services.Temporarily stop downloading or uploading content.Unpair any unused devices from the network router.Turn on your network router and wait to fully load.Unplug the service cable and wait for 60 seconds.Unplug the network router from the power outlet.Power off your network router via the power button.Here are some steps to undertake and optimize your home internet and WiFi: Thus, before continuing further you need to verify that the home internet is intact, as well as justify the reliability and the performance of your wireless network. READ Next: Why Does My Spotify Keep Stopping at 10 Seconds? One of the main reasons when Spotify won’t connect to the Sonos app is a fault with the WiFi or with the internet connection. Reminder: To connect the Sonos speaker to Spotify, follow the steps shown earlier in the guide! 2. Follow the prompts to connect Sonos to WiFi.Select the same WiFi as your mobile device.Select “ Update Networks” to switch the WiFi.Next, select the “ Manage Networks” buttons.Go to “ Settings”, then “ System” and “ Network”.Open the Sonos app on your mobile device.How to Connect Sonos Speaker to the WiFi? Select a network and insert the password.Tap on the toggle to enable/disable WiFi.Next, select the WiFi or “ Wireless” tab.First, go into the device’s Settings app.How to Connect Android/iOS Device to WiFi? Simply connect both devices to the 2.4 GHz WiFi thread of your router!.The same WiFi network doesn’t necessarily mean the same router, thus you need to verify that both instances are on the same frequency! READ Next: How to Fix Spotify Friend Activity Not Updating? – Complete Guide Follow the according steps as per your operating system:.Download and install the Sonos app for Android & iOS.Connect both your mobile and Sonos to the same WiFi.Set up your Sonos speaker and verify that it’s working.A fault with the mobile device used for the connection.A corrupted Sonos app or Spotify app cache data.A fault with the Sonos speaker’s electrical supply.An ongoing WiFi or internet-related inconsistency.Both instances are not connected to the same WiFi.The setup steps have not been completed properly!.Let’s unwrap more! Why Won’t My Spotify Connect to Sonos Speaker/System? In case that doesn’t help, the next step is to troubleshoot the Sonon speaker as well as both Sonos and Spotify apps! When Spotify is not connecting to Sonos, first check whether both instances are on the same WiFi, and more specifically, the same WiFi thread. In this guide, we’ll go over the entire, correct setup guide as well as any potential problem that may arise and of course, help you solve any issue along the way! If your Spotify won’t connect to Sonos speaker or home sound system, then you’re in the right place to discover the solution. Pac man logo9/19/2023 When we worked on the design in 1972, we struggled with the fine line between a fierce bird and an angry bird. I might not have done exactly what their designers did, but I would have toyed with the look of the bird, too. “Re-launching any logo requires change to generate excitement. “Why bring back the iconic ‘Pac-Man’ logo but feel compelled to add to it? They actually diminish it because ‘more is less,’ as great Mies van der Rohe once said. He thinks the revisions to the original logo, which make for an angrier bird, are a design insult. Most importantly, it looked great on uniforms racing up and down a basketball court whether you were at a game or watching it on TV.” The 2014 version “The so-called ‘Pac-Man’ logo was classic, pure and honest. McDonald can’t understand why the franchise switched logos in the first place. Plus, the popularity of the original design never waned it remains one of the best-selling retro logos in the NBA. The reason is clear: the 1995 logo design is complicated and does not reduce well, plugging up in small applications. The Hawks were still using it as its Twitter avatar before replacing it with the new 2014 version. The Hawks introduced the current logo in 1995, but Wages’ logo never really disappeared. In 1999, he was named an American Institute of Graphics Arts Fellow by the organization’s local chapter. He is still designing today, and many of his logos are famous, including Cox Communications, Georgia State University and ZEP. In 1977, Wages left McDonald & Little to open Wages Design. Likewise, he says, the Flames’ intensity was suggested by the same red, the flame in the letter cross, and, mostly, “by the clever name that dramatizes the tension between the words fire and ice.” Looking back, Wages says the attitude of the 1972 Hawk was captured by three elements: “Coke Red,” its determined eyes, and the sharp point of the beak. It was smart branding, plain and simple.” The 1972 logo “It’s because they were designed for the same owners, at the same time, and developed to fit in with the OMNI logo designed by my boss, Ted Burn. Wages says many people have asked him over the years why the two franchise logos have the same line weight, same clarity, same scale and same color. Everyone went to a lot of hockey games back then. “In some ways, the 1972 Hawks logo was eclipsed by the hullabaloo surrounding the Flames’ launch,” Wages remembers. The Flames launch campaign was entitled ”The Ice Age Has Come to Atlanta.” It was a monumental success, helping to sell 11,000 season tickets for the 14,000-seat OMNI Arena before the first season even began. “Straight out of design school, I was designing logos for two major league sports franchises. “You can imagine how I felt,” recalls Wages. When it came time to show the Hawks’ logo design, and later that of the Atlanta Flames, Putnam knew the logos were winners.” “He trusted us and so gave us free reign to find solutions. “Bill Putnam was CEO and GM of The OMNI Group,” said McDonald. McDonald & Little team, 1972: (L to R) Tom Little, Mike McDonald, Bob Wages, Ted Burn (seated). He asked Wages to design the teams’ logos. Ted Burn, the agency’s senior art director, “had a keen eye for talent and knew Bob Wages had an aptitude for logos,” recalls McDonald. The agency had been hired by a group of local investors (led by Tom Cousins, Charles Loudermilk, Paul Duke, Bobby Chambers and Dillard Munford) that owned the OMNI arena, the Atlanta Hawks and a new NHL franchise they’d soon name the Atlanta Flames. But it was the next assignment that would be a game changer for the young designer. On his first day at McDonald & Little, Bob Wages, an assistant art director, was assigned to a team to design layouts for an ad campaign promoting then-unknown Senate candidate Sam Nunn from Perry, Georgia. “He looked like a kid,” remembers agency cofounder Mike McDonald, 82, and still actively involved in marketing projects locally and globally. Now 62, Wages conceived the iconic image as a 24-year-old, just out of college and new to his first job at powerhouse McDonald & Little. When the Atlanta Hawks unveiled a revised version of the historic “Pac-Man” logo in Game Six of their playoff series against the Indiana Pacers, no one could have been happier than Bob Wages. Bob Wages with the 1972 logos he designed for the Atlanta Hawks and Atlanta Flames. AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |